If you’re going to play soleá or siguiriya with the sound of minera, look, I think that’s senseless, soleá is soleá, and siguiriya is siguiriya, and each form should sound distinctive, tientos should sound like tientos, tangos, bulerías, etc... I understand it’s very difficult to change the tuning, and they do it to show off to other guitarists, but often the most difficult thing is to find meaningful simplicity, to be able to communicate something with just two notes instead of twenty.
Paco Cepero/Flamenco Guitarist
www.MatadoraFlamenca.com
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